I have a friend who does art. He used to be a professional animator and he's done a bit of small press work in comics. He's been doing art in various capacities for 30 odd years and has a wide range of interests.
I mean anything involving MMD or Poser will get under his skin and if applied for more than a few minutes will send him into a white hot rage rage. It's rather bizarre, its like his IQ drops 35 points and until the offending media is removed all he can say is "Duuhh..I hate dat stufff..." Now this is not a rational response and would seem to be a matter of personal preference and pig-headedness but he recently made an interesting argument when I pointed out that he'd seemed to like The Incredibles.
Well he does like Pixar films...mostly. His argument is that the MMD videos and such aren't actually art because unlike the big studio productions they're just using someone else's creativity. The person doing an MMD video on YouTube in his eyes isn't doing much more than posting a paint by numbers painting and calling it his. The programer has done all the art.
Now, as it happens, I'm tinkering with MMD right now, but I'm not making much progress because, I'm not artistically inclined and doing that on a Mac is clunky. With MMD one is manipulating these wire frame models and even at the most basic level choosing ones choreography. However the facial expressions in particular ARE all built into the program and were put there by the programers as are (I'm told) some basic movements). It's my understanding though, that MMD can be used to produce things like this....
I'm unsure of the provenance of these .gifs (which I nicked from 4-Chan) except that they seem to be from some Touhou fanfic. I understand that one can download Touhou "skins" for MMD wireframes now (fans made those available some years ago) However, even if the creators of this did use off the shelf " paper dolls" for their character designs there is the matter of the choreography and the subtitles which imply writing a script. Of course this is Touhou so it's fanfic anyway. However the potential seems to be there and is certainly present in the professional versions of Poser to apply ones own skins to the products frames. Such additions would require artistic ability (and being 3d would be akin to rendering a sculpture), but the objection of my friend is that those using this medium are using someone else's art.
My feeling is that this is akin to using Legos or perhaps a paintbrush. I'm of the opinion that even MMD can teach aspiring animators about computer animation, choreography and editing, which in the computer age are quite different skills from what they used to be. However, I don't do art, my figure drawing makes Randall Munro* look like Da Vinci so this is most definitely a layman's perspective. I'm really not sure how much ones brush needs to stray outside the numbers before ones effort becomes art.
I'm pretty sure that this piece done with Poser qualifies though
...but at what point on the spectrum between that piece of magic and simply having Lady Hatsune make a leek face it stops being analogous to stickers on ones Trapper Keeper...well I'm not qualified to answer that.
The person doing an MMD video on YouTube in his eyes isn't doing much more than posting a paint by numbers painting and calling it his. The programer has done all the art.
The same way Fender and Gibson did all the art and Mark Knopfler just played notes that were already there.
Posted by: Pixy Misa at Fri Aug 9 06:51:17 2013 (PiXy!)
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If you produce fine, handcrafted, heirloom-quality furniture, you probably have a low opinion of Ikea. But for a lot of people, Ikea is the difference between nothing and making do with milk cartons.
Or, if we're going to talk about paintbrushes... I use a Kolinsky sable brush from W&N, because it's a really good brush (quite a bit better than the painter, if I'm going to be honest), and the few extra bucks it costs isn't going to break my bank. It's nice having a brush that can hold a point that well. There are also artificial fiber paintbrushes made for the three-for-a-dollar crowd. There are people who get fantastic results with the former, to be sure - but there are also people who can take the three-for-a-dollar paintbrushes and do amazing things with them, because the tool isn't the talent, and it isn't the vision.
Sure, if you're a professional-level animator, you're not going to like tools that let people bodge together their own animation. Professional sound guys scoffed at software that let you do your own mixes on a home PC... and it turned out that a lot of people were pretty good at mixing without being a "professional" sound guy. Heck, for that matter, I'm sure that plenty of vocalists aren't too fond of Vocaloid.
Posted by: Avatar_exADV at Fri Aug 9 21:39:20 2013 (pWQz4)
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At around 1:55 in the video, she appears to be firing the gun by cycling the charging lever on the bolt. Reminds me of a gunslinger firing a revolver by fanning the hammer, although I've never heard of a rifle fired via the bolt lever.
Posted by: RickC at Fri Aug 9 22:28:04 2013 (WQ6Vb)
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@Avatar comment#2:
I think Vocaloid is a better argument for my friends point of view than MMD. The tone, pitch, and everything else is actually done by someone (or something) else. That being said, editing and songwriting are each definitely arts in their own right.
One thing that (I think) set my friend off is the ease of tracing with the computer. He was in awe of how much better some people were on the computer than on paper. I suspect that this generally has two causes.
1: the person is just much more comfortable in the computer medium (I'd wager that this is very common today given the amount of time people spend on it).
2: They're doing vectors.
This latter has turned out to be the case quite often in his recent experience.
As for MMD, given the sheer ammount of stuff pre-programmed into even the most basic version, I think my friends argument is not without some merit at the most basic levels of competency. I tend to think that his argument breaks down rapidly once one moves out of the orientation phase.
Of course some of this is just crumudgeonism on his part. but given the complexities of the tech, asking at what point a work becomes art and particularly ones own art strikes me as not entirely unreasonable. However, while I'm inclined toward your and Pixy's point of view on this, not being an artist at all makes me wonder. I mean look at the amount of clip art, embedded videos and such I use here.....though of course no one would call the blog "art".
Posted by: The Brickmuppet at Sat Aug 10 00:17:21 2013 (F7DdT)
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@ Rick C comment#3:
I'm unfamiliar with bolt actions in practice, however one can do something similar with a pump action weapon if one cycles it very hard and holds down the trigger. Note too that it has been mentioned in the series that she built the weapon herself so chambering a round and closing the bolt might automatically fire it.
Also:
Posted by: The Brickmuppet at Sat Aug 10 00:25:40 2013 (F7DdT)
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I've been curious about playing with MMD, but at the time, it seems like people had to patch it to get english or something. Of course, at one point I was going to dabble with Daz 3d (don't bother). And I used to futz around with POV-Ray, but nothing ever came close to some of the amazing images out there.
I just don't really have the commitment to achieve skill with these things, which kind of shoots down the idea that skill isn't required. (Although DAZ probably does, since it's basically a paper-doll system where more talented artists sell content for you to add to the program. It can't really create its own.)
Posted by: Mauser at Sat Aug 10 04:04:20 2013 (TJ7ih)
A Gripe
As I post this, it's a bit more than an hour before episode 5 of Stella-Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch airs on Crunchyroll. I note this is almost a WEEK after most all the cool kids have seen it.
I've been judiciously avoiding spoilers, but here's not much point in blogging this one.
UPDATE: OK. For those of you who've already seen this.....
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I think the real issue is with Yura's motivations.
The rest of the team is out there to have fun. They enjoy the camaraderie and the challenge and have more or less come to terms with being, well, weirdos.
Yura hasn't. She's got some character movement, not very difficult since the start was at "scared rabbit in headlights", but what's motivating her isn't so much joy, it's fear. She likes being able to socialize with the others, something she's just not used to, but by contrast she's worried that they're going to reject her for screwing up.
(Incidentally, this is partly Sono's fault, for chewing her out over an etiquette breach when she hadn't bothered to explain the etiquette involved... especially when the other side had itself broken the etiquette by going for the humiliation-victory rather than playing the game. You don't get mad at rookies for doing rookie stuff! But Sono's own issues got in the way there...)
In the meantime, that's got Yura fixated on victory, in a way that the rest of them aren't; everyone else is out to have fun and looking to win as part of that fun, but Yura's out to win because losing would be terrible. It's not a healthy attitude for a sport, and the results could be... well, presumably Sonora's rival didn't get like that by eating too much cake in the light music club.
Yura could use, frankly speaking, getting the stuffing knocked out of her; she'd hate it, but realizing that the aftermath isn't getting turned out of the club would help her attitude a lot. Of course, all that is assuming that ep 4 was a weird aside and that the tone of the series remains normal-ish; if Yura's stepping onto actual battlefields, then taking a somewhat grimmer view of winning and losing may well be a survival trait...
Posted by: Avatar_exADV at Tue Aug 6 22:08:25 2013 (pWQz4)
While still not up to the level of its premiere, episode 3 of RWBY has recovered quite a bit from # 2, though slapstick visual 'cheats' don't work as well in this medium.
This is definitely a cliche' buffet and it has some technical issues, but it's amusing me. This episode was all dialog and the voice work held its own and remained pretty engaging.
Steven Den Beste
His blog brings all the boys to his yard.
Of course having put it in those terms...I'd best get off his lawn before he comes at me with a Chen-saw.
Three Minutes of Combat IN TECHNICOLOR
Though we've mentioned before that it's being released as a series of
movies, it bears repeating that Yamato 2199 being broadcast right now on TV in
Japan. Despite the fact that it almost never shows up in season previews, this is, IMHO the best action show on right now. In fact, despite the rather anachronistic design of its titular spacecraft, Yamato 2199 is one of the better scifi shows of the last decade.
For those of you who watched Starblazers those many years ago, here is a brief promo clip of the battle at the rainbow nebula. For those poor deprived souls that didn't, this isn't terribly spoilerish, it's one of several battles our heroes fight, this one taking place in a remarkably dense, multicolored nebula.
Yamato 2199, is being aggressively marketed internationally. The English language dub is called Starblazers 2199, and will have at least some name changes (the ship is named Argo on the English version). Bang Zoom is doing the dub which is heartening. They've done some excellent work in the past. Johnny Yong Bosch is reportedly playing Kodai/Wildstar.
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As in the original, the Yamato seems to take way more punishment than any possible ship of its dimensions and distance from support and repair docks could possibly absorb and keep going. Forget the infamously regenerating third bridge, they seem to lose at least one of their 18-inch turrets every other fight...
Posted by: Mitch H. at Mon Jul 29 13:09:59 2013 (jwKxK)
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In this series they have at least paid lip service to the difficulties of field repair. The ship having various things not working is an occasional plot point, particularly after
their super impressive 3-d printer they use for repairs....gets blasted to bits and needs repairs.
Posted by: The Brickmuppet at Mon Jul 29 13:27:56 2013 (F7DdT)
Life Altering HairstylesStella WAHSDC3 has been pleasant enough thus far. The other club members are all likeably eccentric. The problem has been main character who is SO damned insecure and introverted that by episode 3 it begins to grate. Yura has problems. She is terribly introverted, indecisive and afraid of her own shadow.
However, in this episode (#3) these issues stop just being a character trait and become a plot point.
They're at a paintball tournament. Unlike Girls Und Panzer boys are allowed to participate in the league and indeed make up the majority of players at the tournament. Our girls school heroines win for several tournaments but don't wipe the floor with the competition. The competition is VERY good at what they do. All is well until they encounter the team from Sisters of Bitchieness Girls School of Implacable Small Unit Tactics For Sadistic Combat Monsters Whose Uniforms Are Black....or something. This fight is personal, there is some history there and our heroines get routed...well....The team aside from Yura gets taken out...Yura's response to this is not to go down fighting....not to try to make a dash for the flag...not even to run and at least make it hard for them....she jusy says "Eh what the hell"...and gives up. This Of course is a FORFEIT.
...and I'm like "You selfish little &^%"
It got worse...the team came over and comforted her and told her it was no big deal.
OK at that point I just about logged off but at that point Kashima, the president stepped in and tore her a new one. She pointed out quite rightly that Yuna had let them all down, damaged their reputation and essentially insulted them.
It was almost like there were certain minimal standards of behavior expected of people.
Given that she's going to an exclusive girls school that looks like a pink Versailles about the size of central park...I gather that Yuna has probably been pretty sheltered life and hasn't been socialized to grok such concepts as loyalty and honor except as abstractions.
Well...she does seem to understand that she has screwed up mightily.
She understands it SO well that at the end of the episode, she's cut her hair very short.
This is a big thing to the Japanese. Cutting the hair dramatically signifies a major life change. This indicates that she GETS it.
It appears that our heroine has come to grips with her problem and is growing as a character.
And I find that cool.
As an aside, the actress doing Kirishima is knocking ot out of the park as far as conveying the oddness of the character most effectively.
UPDATE: Teh Banshee has a fine analysis of Yura's conundrum in the comments.
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Yura is caught between two different standards of behavior. One is that the nail shouldn't stick up, and that if it does, it should hammer itself down. Sticking out is a burden to other people, and your rights are whatever the group chooses to throw your way. And the group is whoever is around at the moment, not just your friends and family who care about you. Yura has been thoroughly indoctrinated into this, by always being the lowest status person around (possibly only in her own mind). But this standard is why Japanese bullies apparently aren't kidding when they call on people to surrender to save them trouble, and why Japanese police feel insulted if an innocent person who has been arrested should publicly proclaim his innocence. So of course Yura thinks she is obliged to surrender, or suffer both social and physical consequences for being a nuisance to the other team and to her own. Because apparently, that's what's always happened when she stuck out.
But in her fantasies, she is a person with worth and status, a person who can persevere and fight. In part of her mind, she thinks of paintball as a way to become that person. She just has no idea of how to go about it, or not enough courage to follow her ideas.
And by cutting her hair, she declares that she is going to really do it.
Posted by: Suburbanbanshee at Wed Jul 24 16:22:30 2013 (cvXSV)
So, You May Ask, "Where's the Post?"
Right here. It's a disquisition on the pros, cons and history of pneumatic postal systems scaled up to eleventy.
Now you, gentle reader, may wish to suggest that there is no such post here. To that I'm afraid my response must be...
Don't. You. Think. I KNOW THAT!?
THERE WAS!!1!! BUT NOT'NY MORE!!
I was almost...almost done...but I pasted a url in the text so I highlighted it and hit backspace.
It's what your supposed to do right? Blogging...b..basic word processing...imple isn't it?...and and then the screen jumped to the previous page.
A..and it was gone..all those words. ALL OF THEM!
They say that there's no devil...but there is...it came and ate my post RIGHT OUT OF HELL!!
Anyway, in lieu of any actual content, here's a nice documentary on the making of Star Trek's The Doomsday Machine that I pilfered from Ace's sidebar.
RWBY Episode 1
Over the course of the last several months, four computer animated shorts have been released, each focusing on an "eponymous" character from an upcoming animation series called RWBY.
The first two were superb and used color and music to great stylistic effect. The second was less stylish but had a good deal of action and a voice actress whose purr was husky enough to pull a dogsled. The third had a heroine who was not particularly likeable and its pacing was uneven, but it was technically impressive (rather too much so...it had a tendency to break You Tube) with very well imagined action sequences and a fine score. These trailers have generated much anticipation for the series...and now that series is here...
In contrast to the first two trailers, which had a very ephemeral, almost European atmosphere, the first episode has a more or less conventional Japanese Shonen comic feel to it.
It seems that "Red" from the first trailer is going to be our lead.
Ruby Rose is a student at a college that specializes in training monster hunters. She's a typical shonen heroine, idealistic, enthusiastic to the point of being a goofball, and a very adept at the utilization of her .50 caliber, bolt action, magazine fed, fully articulated, rocket assisted, collapsable scythe. Her immediate goal is to graduate college and do her graduate work at Beacon University, which is required to become a huntress. Huntsmen and Huntresses are the elite monster hunters of this rather anachronistic world.
How anachronistic is it you may ask? Well, for one thing, they presumably have monsters. Additionally, they have magic (which is facilitated by a McGuffin called "dust"), machine guns, cities that look like a cross between 1930's Chicago and Vienna, airships, a broken moon, advanced tablet computer devices and villains who wear derby hats....
Meet Roman Torchwick. He is a well known criminal who has decided to rob a dust, dry-goods, jewelry, magazine and music store. Unfortunately for him, Ruby happens to be loitering in the magazine section. While Torchwick relieves the owner of his dust, an ill conceived bit of initiative by one of Mr. Torchwicks henchmen makes Ms. Rose aware of their shenanigans and fisticuffs ensue. Things proceed to escalate rather quickly after that, to swordplay to gunfire and eventually all sorts of magical 'splodies.
Mr. Torchwick has formidable resources at his disposal and (despite the intervention of a professional huntress on our heroines behalf) he makes good his escape.
Afterwards, she is questioned by the huntress, handed off to the huntres's supervisor and we learn that Ruby Rose is not just a formidable fighter, she collects huntress/ hunter autographs, is hyperactive to the point of being something of a spaz and she can eat a pile of of chocolate chip cookies as big as her head.
"...and not a single cookie lived to tell the tale."
Upon establishing these important facts she is scolded, given a unique opportunity, which she decides to take. This results in Ruby reuniting with her obnoxiously loud older sister as the episode ends...
Oh dear God...Did that woman just say her name was...Gladys Goodwitch?" "Yeah sis...I'm afraid she did."
As an aside, there is some indication from the closing credits that
this will not be quite the female sentai team people were expecting.
There is a fairly large mixed gender cast and the fellow we currently
know only as "Vomit Boy" features prominently.
Well, I liked it.
It's not the least bit original at this point, but it's visually interesting, seems to have a decent story and Ruby Rose is a thoroughly likeable character. The voice acting is above average. The pacing of this episode was excellent. I was surprised to find it was only 12 minute long. They provided enough exposition and character development for a full thirty minute pilot in that time. The music, as can be expected from the trailers is superb. Someone named Jeff Williams delivers a fine BGM that complements the fight scenes choreography nicely. The new theme song is quite catchy too.
The computer art is odd and occasionally distracting, but it can be
surprisingly expressive. It certainly lends itself to fluid motion.
The 12 minute webisodes air every Thursday at 7pm (5pm for those who subscribe).
This show is pretty neat...but it is the harbinger of something neater still more...
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Thanks for tracking it down. And for doing more with it than I had a chance to (grrr, designated weekend overtime...)
BTW, have you seen my thunder, I seem to have misplaced it somewhere. :-)
Posted by: Mauser at Sun Jul 21 05:23:10 2013 (cZPoz)
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You mentioned that they had "initial financing by Kickstarter". Do you have a link to the KS page for their offering? Even though the funding is now closed, I was interested in how they pitched it, but I cannot find anything on KS under RWBY or Roosterteeth...
Posted by: Siergen at Sun Jul 21 14:25:50 2013 (Ao4Kw)
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I can't either and was never aware of it, but their web page mentioned that it airs at 5pm for Kickstarter people...7pm for everyone else.
Posted by: The Brickmuppet at Sun Jul 21 14:43:15 2013 (F7DdT)
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No I'm wrong and will line through the offending text. Their sponsors are their subscribers. They have a deal like Crunchyroll that allows you to bypass ads and see the videos early.
Posted by: The Brickmuppet at Sun Jul 21 14:45:24 2013 (F7DdT)
Yeah... almost had a spit take at "Gladys Goodwitch." Lord knows I'm not one to throw stones when it comes to character names ("why do they all start with 'A'?") but seriously.
And between the bowler hat and cane, I fully expected Torchwick (which would make for a punny penis joke later in the series...) to be speaking Nadsat.
Voices. I agree almost completely: all four are very interesting and each has a compelling style. Not sure who's I like most; perhaps after a rewatch.
BM, thank you very much for bringing this to my attention! Top marks, sir!
Posted by: Tiberius at Sun Jul 21 15:20:16 2013 (97M8h)
Dowsing for Girls
Here we have 4 girls looking for a girl.
Now, being girls, they presumably know all about girls and how to find them, so it's with considerable interest that I note that in addition to he usual methods involving optical detection they have broken out the dowsing rods. I'd never considered dowsing as a means to meet the ladies....I also note that I'm single. Correlation does not indicate causation but this may warrant further study.
Twisting the Knife
Sony has released an informative How-To video walking prospective users through the involved process by which they share games on the new PS4.
7 Letters, Selected and Arranged to Maximize Consumer HappinessDRM Free!
...comic book publisher Image Comics announced at its Image Expo convention that it will now sell all of its
digital comics as downloadable via its website for both desktop and
mobile users, making it the first major U.S. publisher to offer DRM-free
digital versions of comics. Readers can even choose the file format
they prefer: PDFs, EPUBs, CBRs or CBZs.
"No it's true! When you buy E-versions of Image Comics you really really own them and can put them on your flash drive or computer or print them out and put them in a 3 ring binder to get autographed or read when the power goes out or make paper airplanes out of them...or anything!"
Posted by: Pete Zaitcev at Fri Jul 5 18:05:57 2013 (RqRa5)
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Well, it's an American comic book company so yeah.
It remains to be seen if this will have any cascade effect the way SONY's momentous decision to not screw its customers over did.
However, given the fact that the previous pay to view vice buy has been the cast iron industry standard amongst the big two of US comics, this is a pretty big deal.
(I assume by OEL you mean Original English Language)
Posted by: The Brickmuppet at Fri Jul 5 18:53:10 2013 (F7DdT)
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Of course Image Comics is Original English Language, it's not a manga publisher!
Posted by: traci at Fri Jul 5 23:32:20 2013 (mCxzJ)
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Great news, but only a handful of new issues are available so far. Once they get more of their back catalogue converted, I'll definitely be sending some money their way.
Posted by: Pixy Misa at Sat Jul 6 06:26:03 2013 (PiXy!)
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Antarctic Press has made all 200 back issues of its popular "Gold Digger" comic available for free online. No purchase required.
Posted by: Mauser at Sat Jul 6 22:26:23 2013 (cZPoz)
"Wound"Attack on Titan continues, and while our heroes don't accomplish much in the way of their goals this episode, an awful lot is happening.
Yeah, things are not going well for our would be giant slayers. At the end of last episode, everything pretty much went to worms and this has a sort of cascade effect, so they just cannot seem to get a break.
As we learned in previous episodes, Eren has used his experience points to purchase the "Turn into Giant" perk. At the end of last episode we find this comes with the limitation " Become non-sentient, feral, berzerker beast". Mikasa tries to reason with him to no avail, but he is so feral and mindless that she unwittingly gets him to punch himself out.
Meanwhile, it turns out that all the giants regard the unconscious Eren as food despite his size and lack of congeniality.
This leaves our heroes trying to hold off the giants in the hopes that he will de-biggulate and/or regain reason, but he's attracting a LOT of giants as Mikasa explains to Arimin when he arrives.
While the A-listers fight a delaying action, Arimin, whose combat skill is dubious, stays to try and awaken or reason with Eren and decides to cut him out of giant body...with poor results. Meanwhile Jean is running through the city dealing with giants as a pedestrian, due to a a broken set of maneuver gear.
Nicely paced with an even better than usual score, episode 12 is an enthralling three
ring circus and the show seems to be well and truly back on track.
Well...THAT Was Unexpected
...and so was all that other stuff...
"...like MELTY of all people demonstrating such intrepidity and being so pivotal to the plot."
Gargantia on the Verdurous Planet is not quite the show we thought it was, it's in no way the show we thought it had become in episode 9, and given the amazing (yet perfectly convincing) surprises and misdirections the writer has thrown at us though the whole series, I'm unprepared at this point to predict what kind of show it will turn out to be. However, It is looking really, really good right now. My only quibble with this episode is that is that IGOTTAWAITAWHOLEWEEK4THENEXTONE!
They could still screw it up, but right now It looks like Madoka was no fluke.
Never Trust ANYONE Who Doesn't Believe in Money
This always bothered me about Star Trek...the whole "We have no money, we....ummm....uh....stuff" thing was always put out there but handwaived..
Of course there are all sorts of problems with this notion as it means that whoever is in charge decides what and who has value....and doesn't. This may appeal to a certain type of control freak, academic or fanatic, but it is unlikely to work out for those not in favor with those who take it upon themselves to define value.
This is explored extensively in episode 11 of Gargantia on the Verdurous Planet which holds forth in part on how NOT to set up ones economy and society.
In Gargantia, the fanatical new-age commies parroting received wisdom from their "betters" are the BAD GUYS....I LOVE this show!
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Iain Banks, of blessed memory, was one of the few people who could put together a SF universe without money and with a convincing explanation for why there wasn't any.
But that only worked because, frankly, omg-what-super-science had ended scarcity completely, material goods being so easy to manufacture and so inexpensive that there's just not any point in keeping track to allocate things "fairly"; there's enough for everyone to massively overindulge to their wild fantasies. There's enough real estate (as the society busily churns out additional world-rings) for people to have whatever domicile they like. And everything is run by AIs with social incentives to keep everybody as happy as possible, and with the attention necessary to keep an eye on everyone and intervene in their lives exactly as much as they feel comfortable with, but anyway enough to keep them from dying in accidents or from stabbing or shooting each other.
Star Trek has a little of this going (replicators, dontcha know) but still hasn't quite got the omnipresent-benevolent AI down, and is way too busy being organized to get properly hedonistic. Also, without the AI, there's actually a point to having human labor for things like military applications...
Posted by: Avatar_exADV at Wed Jun 19 21:11:28 2013 (pWQz4)
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Though a major theme of Look to Windward is, well, money.
Posted by: Pixy Misa at Thu Jun 20 08:41:42 2013 (PiXy!)
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Manufacturing has already gone fairly far down the too-cheap-to-meter road; the majority of value is no longer manufactured in developed economies. The US, for instance, has gone from over 400,000 autoworkers to 70,000 in the last generation and a half. Money is money, and it follows scarcity. If stuff ceases to be scarce, it will stop tracking stuff, and chase work, or ideas, or motive power, or sheer raw power itself.
Have you read Wright's Count to a Trillion? Some interesting stuff in there about how societies adapt to too-cheap-to-meter power at the Kardashev II level. Which reminds me, I have to order the sequel...
I don't watch current-season anime anymore, but this show sounds like my sort of thing. Looking forward to it in a year or two.
Posted by: Mitch H. at Thu Jun 20 09:17:51 2013 (jwKxK)
The Best Song In the History of Everything
Is not available on iTunes or Amazon, it long predates CDs and of course all vinyl containing it was ordered destroyed by Nixon's FDA so my quest to add this to my MP3 queue is still unfulfilled.
"You say Mee-Go, he says Mi-Go but all I care about is that away from here I go"
I dunno WHAT the "W" stands fore but I'm stikkin' with my theory. The original series was not exactly good, but it mildly amusing and occasionally clever. Every episode made me at least chuckle once.
This sequel alternates between execrable and stupid.
I mean...odd numbered episodes are execrable. Even numbered episodes are merely stupid. Odd numbered episodes tend to have everyone out of character and have the show written as a straight harem comedy devoid of Lovecraft Jokes, or any but the most tendentious attempts at humor. Even numbered episodes are bone-crushingly stupid, have the characters acting in accordance with their frequently warped motivations and generally remember that the blonde, under all that moe' is a trap and the redhead is not interested in guys. The even numbered episodes also differentiate themselves from the odd, by remembering that the protagonists three roommates are aliens disguising themselves as humans with vastly different biology, ...and oh yeah nerd jokes.
These differences are most visible across a two part episode, where it appears the characters are from two completely different series.
I really think there are two different writing teams one of which is using a harem comedy trope generator and is unaware of the actual characters or the fact that it's not actually a harem comedy, but is close enough to parody them...
Neither odd nor even episodes are at all good, but the even episodes are making me laugh occasionally....and groan often. Of course, even at that I can't recommend this show in good conscience due to the fact that it is objectively terrible and finding the less abominable ones becomes problematic after episode 8 when the two writing teams division of labor seems to have become chronologically inconsistent.
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If they're all aliens with radically different biologies, aren't all three of them "traps"?
I dunno, the flash shorts were so apocalyptically dull that I never bothered with the actual series, original or sequel.
Posted by: Mitch H. at Tue Jun 18 08:42:29 2013 (jwKxK)
2
Well, probably. We don't get see Nyarko's true form directly but our hero did briefly in season 1 causing him to lament between inchohate burblings that it would take months for him to recover his san loss.
OTOH he's somewhat used to this since his mom did her graduate work at Miskatonic U. or somesuch and keeps encountering these weirdos.
The 3 aliens are all quite taken with tentacle hentai which to them is quite wholesome and romantic...unlike that creepy disturbing stuff that's become fashionable back home (one does wonder). Nyarko and Trapchan are both thought of as a bit creepy for falling for the protagonist. The redhead carries a torch for Nyarko and initially hates, but as time passes grows to respect the boy (except in odd numbered episodes of season 2 where she is just in love with him). The game theory alliance between her and the boy in the first season was kind of funny.
I found the first 3/4 of the first series to be fairly enjoyable.
Posted by: The Brickmuppet at Tue Jun 18 09:13:32 2013 (F7DdT)
3
The first series fell apart around the halfway mark for me, and the only thing that kept me watching was Kuuko. What I've seen of the second series has convinced me that Nyarko herself is the worst part of the show.
I don't know if the novels are this badly written or if they're just making up random crap for the show, but either way, it's not working.
-j
Posted by: J Greely at Tue Jun 18 10:56:13 2013 (+cEg2)
4
I also enjoyed most - not all - of the first season. I made it about ten minutes into ep1 of second. Did they change writers or just decide to turn the stupid up to "11"?
Posted by: Tiberius at Tue Jun 18 15:50:39 2013 (97M8h)
Gargantia #10
Remember Melty? She was on the fleet that left and is now anchored near an island in perpetual mist. She's started her own courier business and delivers dispatches to all the captains...as such she has a pretty good view of what's going on.
"Oh dear."
The episode continues the shows dark turn but it remains interesting and thoughtful. I'm unsure where they are going with this, as the story is far down a path, that while interesting, has no clear resolution. Yet they continue to complicate things and as far as I know, they have only 2 episodes to wrap things up.
This is likely to either be brilliant or a train-wreck.
It certainly has my interest.
Upon reflection it's logical given the lack of any contact with "home" but Chambers statement that "This is not Alliance instructions...I have come to all these conclusions independently." Is one of those things you just don't want to hear your unstoppable mech ever say. This is doubly true when he gives a lecture on (flawed*) evolutionary theory as it relates to worthy and unworthy life.
The reveal at the end of the episode was certainly a surprise. WHO if anyone is the other mech pilot with? He looks to have his own fleet.
* two organisms are unlikely to both survive if they inhabit the same territory and environmental niche. Their relatedness in not a factor in this. Add to this the fact that the Hideauze fill a quite different niche anyway, and peaceful coexistence ought to at least in theory be possible....assuming no one went on a killing spree in their nursery...oh wait.
Chamber's point about evolution not necessarily favoring intellect is valid though.
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